A guten teg, a gute yahr, Chaver.
Reb Baruch would now like to address a very serious issue to the Haredim and Chassidim, one which he perceived when he recently watched a collection of video clips of the Bobov, Satmar, and other groups holding various religious celebrations.
While it was moving and invigorating to see so many Yidn dedicated to living a life according to Torah, there was one jarring note, one macula of the modern world which Reb Baruch cannot understand being permitted in these holy events.
We know the power of music. We know that Chassidism has laid an especial emphasis on music, on the power of Chassidic melody, and its effect on the soul. Rabbi Chaim Kramer of the Breslov Institute has written an entire work on the famous Chassidic Rabbi, Rebbe Nachman, and his discussion of this musical power.
And therefore Reb Baruch was somewhat startled to hear, in the midst of a sermon delivered in Yiddish, and a room full of Frumer Yidn in traditional dress, a Chassidic melody being played … on a synthesizer.
And not only that, but a lot of the music in the various clips was accompanied with what sounded like a drum machine, so inhumanely precise was it in the regularity of its beat.
Synthesizers and drum machines in the midst of a community that is committed to upholding the traditional values and ways of Judaism? Reb Baruch was both shocked and taken aback.
All these Chassidic and Holy melodies came into consciousness through the vehicle of the vibrating air, on instruments like the human vocal chords, the violin’s cat gut, and the clarinet’s reed and bore. The process was no different than what had gone on for over 5700 years. But now the modern world creates sound based not on the natural vibrations of the air, but on electronic circuitry. And that circuitry produces a sound which has never been heard before by the human ear, a new sound of devilish perfection, never before interpreted by the human brain, a new rhythm of diabolic precision, so unhuman in its lack of flaws.
Rabbi Chasam Sofer, the Chief Rabbi of Pressburg once said “Chadash asur min ha-Torah”, or “The new if forbidden by the Torah”. Now, the Vilna Gaon would surely have disagreed with that, since for him every expansion of scientific knowledge and technique augmented our knowledge of Torah, and Reb Baruch would have to agree with The Gaon. But in this case, in the realm of Art and Music, he’d have to side with the Pressburger Rebbe.
And so, Reb Baruch must issue his injunction to the Haredi and the Chassidim, not to use synthesizers or drum machines in the playing of Chassidic or Sacred melodies, and not even to listen to such so-called music. The Nefesh Yehudi responds to the vibrating air, so simple in its function; but it is Goyified when it listens to these modern sounds, created by the products of electronics, and so hollow and cold in their beauty.
Nor should one even program a phone or any digital device to electronically play a Chassidic, Yiddish, Sacred Hebrew or traditional Jewish melody.
About 50 years ago, Seymour Silbermintz and the Lubavitcher Chassidim put out a series of Chassidic Nigunim that were played solely on piano, violin, and drums, with chorus. Though the playing often had slight flaws, and the voices and rhythms may not have been perfect, they were all perfectly human. Adding synthesizers or drum machines to such an assembly would have been a tragedy. And perhaps a blasphemy.
Reb Baruch hopes the Haredim and the Chassidim will take his warnings seriously, and think over what he is saying to them. Since they are the vessels of the purest form of Ashkenazi Judaism left around, they should not let these modern influences subvert the integrity of their music.
When it comes to synthesizer music and drum machines — gai in droysen!
Gai shloofn, Kinderlech — Baruch Ben-Zev